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Cáceres’ Latin American momentum has excluded him from the ivory towers of modernity, exchanging them for the Towers of Babel of post-modernity. His full insertion in the world has led him to relate with the plurality of sounds that surround him, leaving his music open to all types of music. Cáceres has managed to remain a composer on the frontier between contemporary music and the other types of music, building bridges towards what has been left to one side. In this way, works such as that of Cáceres constitute a fresh referent in the hierarchies of the academic world, contributing to the diversification of the elements and the possible pasts of Chilean music. Juan Pablo González
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